Aaron Lee Tasjan

Aaron Lee Tasjan

Erica Blinn

Thu, August 30, 2018

8:00 pm

Union Pool

Brooklyn, NY


Tickets at the Door

This event is 21 and over

Aaron Lee Tasjan
Aaron Lee Tasjan
Aaron Lee Tasjan
Karma for Cheap
Most people know Aaron Lee Tasjan as one of the wittiest, most offbeat, brilliant, weedsmokin’
& LSD microdosin’ Americana troubadours writing and singing songs today.
And the New York Times, NPR and Rolling Stone will all gladly corroborate. But steel
yourselves, folk fans, because he’s about to follow his restless muse straight out from
under the weight of everyone’s expectations into the kind of glammy, jingle-jangle
power-pop- and- psych-tinged sounds he hasn’t dabbled in since his younger days
playing lead guitar for a late-period incarnation of The New York Dolls.
Really, the roots of Tasjan’s new record, Karma for Cheap, stretch even deeper,
drinking up the sounds of a Southern California childhood spent listening to The Beatles
while riding around with his mom at the wheel of their navy blue Volvo station wagon—
back to the very first pre-teen year he picked up a six-string and started figuring out all
the pretty little chords in those Lennon-McCartney tunes. Back to the pure, blissful
unfiltered innocence of falling in love with music for the first time. But more on that
later. First, let’s ponder the brutish realities of the American Swamp.
Aaron Lee Tasjan says he aims to use his music for good, but he’s no protest singer. And
Karma for Cheap isn’t some heavy-handed, didactic political record cramming a set of
talking points down anyone’s throat. It’s a finely tuned rock & roll seismograph
measuring the dark and uncertain vibrations of the time in which it was created. A
cracked mirror reflecting back the American zeitgeist in this foul year of Our Lord, Two
Thousand and Eighteen.
“When you’re a songwriter,” Tasjan says, you’re dealing in truths and untruths—that’s
part of your commerce as a citizen of the world. And anything coming along that’s
threatening to blur that line is a threat to your livelihood as a working American.”
Take it from Tasjan and Karma for Cheap, being a songwriter in the post-truth world of
Trump’s America ain’t easy. Tasjan valiantly wrestles with this new normal in songs like
“Set You Free” (“it’s a smokescreen scene and nobody knows what’s real”—fake news!)
and “The Truth Is So Hard to Believe.” What will we do when we can no longer map the
line between fact and fiction? When we exist in a world where the truth is unknowable
and we’re at the mercy of liars and charlatans? “Hearts in chains and hands are off the
wheel,” Tasjan sings in hypnotic staccato, tapping the collective cultural anxiety of all
the rattled millions drifting off each night to a new American dream, one in which we’re
all in a big red, white and blue camaro fishtailing down some winding tree-lined road in
the bible-black dark, white-knuckle-clutching the oh-shit bar, accelerator glued to the
floor and not a soul in the driver’s seat.
“The sound of this new record is a little more rough and ready, more raw than anything
I’ve done before,” Tasjan says. “Seems like a good time for it. We’re living in a pretty raw
feed right now, and a lot of these new songs reflect that. They deal with with being stuck
in the deluge of horseshit every day. On social media, you see people suckered into
getting all irate over some post that, in the end, turns out to be completely fake. We have
to be aware of these mindsets, these traps and emotional pitfalls that send us spinning.
Music for me is a comfort thing. And I’m trying to sing about all this to remind myself
not to get caught up in the game. There are a lot of people out there carrying the burden
of this weird, twisted world we’re living in at the moment on their shoulders. So I tried
to write a record that offers some comfort, encouragement and hope to those people, as
much as it’s possible to be hopeful right now.”
Karma for Cheap is Tasjan’s third LP and second for his label New West Records, based
in his current hometown of Nashville. The record was co-produced by ALT and his
friends Jeff Trott (Stevie Nicks, Liz Phair, Meiko, Joshua Radin) and Gregory Lattimer
(Albert Hammond Jr.) and features Aaron Lee’s road band—guitarist Brian Wright,
bassist Tommy Scifres and drummer Seth Earnest—with whom he’s been touring
heavily for the last two years.
While the stylistic shift from Tasjan’s palpably stoned ‘70s-country-channeling 2015
debut, In the Blazes, to his more sophisticated, introspective and lushly produced 2016
follow-up, Silver Tears, was relatively incremental, Karma’s rocked-up Brit-popinfluenced
Beatles-Bowie-Badfinger vibes underscore a significant departure. The
album boldly reminagines these vintage sounds, pushing the boundary of what can be
considered Americana. With Karma, Tasjan establishes himself as an artist who not
only evolves over time, but isn’t afraid to risk reinventing himself completely from one
record to the next.
“It’s always a goal for me to be able to not listen to the part of my brain that cares what
other people think, and just do something really pure and from the heart,” he says. “I
needed this album to have a sense of adventure and mystery, to feel a little shaky and
dangerous at times—something that wasn’t the obvious choice in terms of what people
already like about what I do. I’ve come to realize that I’m a searcher, which means I’m
going to be searching forever.” Aaron Lee pauses and laughs at the notion, and what’s in
store for the rest of his life—ticket bought, ride in progress. “Yep, this is never going to
end,” he says. “No oasis, no safe harbor to stop and say, ‘Well, I’ve gotten here, and now
I’m good.’ In some ways it’s a harsh realization—living in that type of headspace can
cause a lot of turmoil. But if you can find beauty in the mundane… well, there you go.
I’ve definitely been making more of an effort to enjoy the journey.”
For all the album’s wrestling with social and political discord and the stresses of modern
life due to the grand experiment of social media and the unforgiving tractor beam of the
world-wired-web, Karma for Cheap finds its silver lining in the innocence of a wideeyed
kid’s maiden voyage into the electrifying thrall of rock & roll. The heaviness of the
lyrical content is tempered by the joy and wonder of an artist reconnecting with what
made him fall in love with playing music in the first place. The sound of it, the way it
made him feel when he was 11 years old and it was all still as new as a fresh coat of spray
paint from the can of some smug delinquent. That was 1997—the year Tasjan moved
from Ohio to California, and scored his first guitar and a stack of iconic CDs by The
Beatles, Oasis and Tom Petty.
A huge sonic touchstone for ALT’s new record is The Beatles Anthology, one of his
childhood favorites. In songs like “If Not Now When,” “Song Bird” and “The Rest Is Yet
to Come,” you can hear echoes of George Harrison’s vibrant guitar riffs and Jeff Lynne’s
lavish production on those lo-fi John Lennon demos the surviving Beatles dug up and
polished off in the mid ‘90s. “‘Free As A Bird’ and ‘Real Love’—those were my jams when
I first started playing guitar,” Tasjan says. “I was learning those and a lot of other
Beatles songs. And then Oasis came out with ‘Wonderwall’ and I was like, oh that’s The
Beatles for my generation, and I became obsessed with them, too.”
Perhaps the most poignant moment on Karma for Cheap is the anthemic, hypnotic
“Heart Slows Down,” a tune rife with musical and lyrical references to the Beatles and
Tom Petty, anchored by an unforgettable chorus with a Traveling Wilburys vibe that
finds the sweet spot between Tasjan’s two earliest musical heroes. “When I was a kid,
my favorite CD to fall asleep to was Tom Petty & the Heartbreakers’ Greatest Hits, and
the last song is a cover of that Thunderclap Newman song ‘Something in the Air.’ From
the time I was a little kid to when I was teenager, I used to listen to that song on
headphones almost every night—I heard it in that space between wake and sleep so
many times. And Tom’s passing—he was a really big hero of mine, so it hit me pretty
hard. We were in Seattle playing a show when I heard, and it was a heavy thing to
process. But all of those elements are there in ‘Heart Slows Down.’ The chorus, ‘I will
always be around,’ is a reminder that all the good you ever got out of listening to this
music is still around you. You’ll always have that.”
Erica Blinn
Erica Blinn
ERICA BLINN Releases Her 2nd full length, Better Than Gold, on February 16 on Curry House Records.

"Blinn packs enough smoldering sensuality into her material to light up a football stadium." - Lee Zimmerman, BLURT

In the same methodical way she takes apart engines and makes them roadworthy again, Erica Blinn constructs American rock songs, one earnest melody at a time. She forces Midwestern air through beat-up harmonicas and hammers out sincere words that stretch and twist through her tunes. A guitarist/harmonica player/singer/songwriter, Blinn bends the rules of the blues like her heroes The J. Geils Band, and knocks down walls of pop music to create an Americana Rock and Roll sound all her own. Upon the release of 2014’s Lovers in the Dust, Mayer Danzig of Twangville had this to say: “Damn if Blinn doesn’t know her way around a pop hook.” Her DIY attitude paves the way to managing the myriad duties of an independent rocker, from the maintenance of her tour vehicles, to booking tours, making videos and anything else that comes her way.

For the new album Better than Gold, it was her third time working with producer/engineer Mike Landolt (Maroon 5, Blues Traveler), but her first time recording in Nashville, TN. “About half of the record was done in Columbus [OH] and about half of it in Nashville.”Blinn relocated from her hometown of Columbus, OH to the incredible music community of East Nashville, TN in the Fall of 2015. “This album features a lot of the new friends we’ve made in Nashville, but the most special part for me was having my Dad in the studio. He came up with the bass part for ‘Suzie’ and drove down to Nashville to play it on the record.”

The first single, "Softer Side", co-written with Will Newsome, is an upbeat soul-rock number with a twist. The main guitar riff is a percussive, finger-picked groove with a phase shifter effect that calls to mind some ‘70s era Country music. “When I’m With Suzie (I Do What I Want)” came from a night out at a “secret” venue where a brown bag bottle of tequila was being passed around. “I was heading into the bathroom when I heard a guy say, ‘Hey! When I’m with Suzie, I do what I want!’ I immediately went home and made up almost the whole song. Then I took what I had to my friend Caitie Thompson and we tweaked some words and came up with the third verse.”

Blinn and her band have logged 30,000+ miles in their van touring nationally. She has also shared stages with names like Blues Traveler, Lynyrd Skynyrd, The Family Stone, JD McPherson, Nicki Bluhm & The Gramblers, Devon Allman, and Aaron Lee Tasjan, just to name a few. Armed with an abused Telecaster, a belt of harmonicas, she has no plans to stop crisscrossing the USA anytime soon. 2018's Better Than Gold is the product of a woman who is smarter and stronger than she has ever been.

2014 saw Blinn release Lovers In The Dust on Curry House Records. The album features the handiwork of the aforementioned Mike Landolt (Maroon 5, Blues Traveler, O.A.R.). Along with her then backing band The Handsome Machine, the disc was rounded out with guest appearances by Aaron Lee Tasjan, Devon Allman, Andy Harrison (Howlin' Maggie) and Angela Perley (Angela Perley & The Howlin' Moons). “I like to think of this album as having a little something for everybody,” says Blinn, “It definitely has the rockers but it also has some more intimate songs as well as a couple of just plain fun ones that reach towards a more pop sound.” Her song "Sexy Mess" spent 8 straight days on the airwaves of Columbus, OH's CD102.5FM in their "Top 5 Most Requested Songs of the Day" playlist, including 3 days at #1. Another tune titled "Lovers in the Dust" was featured on the soundtrack for the full-length feature film Black Windows (Wanderlust Films/Devil Town Productions/Gravitas Ventures).

Good friends Erica Blinn and Angela Perley & The Howlin' Moons team up with a special limited-edition live split-vinyl release show! Both bands tracked songs live at Earthwork Studios (Newark, OH) in the winter of '17/'18. The live recordings will then be pressed to vinyl with a limited run of 300 copies will be available for purchase at the show. Both bands will play a full set that evening to celebrate the project.
Venue Information:
Union Pool
484 Union Ave
Brooklyn, NY, 11211