NNA Tapes x Northside Festival 2018 - Night 1

NNA Tapes x Northside Festival 2018 - Night 1

Erica Eso, Kalbells, Ryan Power

Thu, June 7, 2018

8:00 pm

Union Pool

Brooklyn, NY

$10.00 - $12.00

This event is 21 and over

Tredici Bacci
Tredici Bacci
Tredici Bacci, a 14-piece group of musicians all under the age of 30, sounds, to the thoughtful listener, like a celebration. A celebration not of a genre of music, but rather of an era, and, more specifically, the aspects of an era which perhaps have been glossed over by conventional history. Tredici Bacci is celebrating the strange, somewhat seedy, schmaltzy and smooth aspects of 1960s-70s popular culture – our songs are cries in honor to the many artifacts which seem now to be the strange leavings of a recently liberated nation – nay, the sensuous oddities leftover from an entirely different world! Tredicci Bacci is a living homage to french pornography, to italian slasher films, to pop psychedelia! A musical shrine dedicated to bright colors! flugelhorns! sing-song and sexy dialogue! To the Mondo! Absurd romanticism! The sumptuous beauty of strings, to never-ending sambas, to the breakdown of western civilization! Up with Ennio! Up with Bacharach! Let our cries be heard and let no man nor woman forget that they were meant to be sexy! To be sultry! To cry tears of lost love over a backdrop of paisley and powder blue! Huzzah!
Erica Eso
Erica Eso
Erica Eso began as the solo avant pop project of Weston Minissali (Cloud Becomes Your Hand; VaVatican) in 2014 during a 2 year stint living in between the Shawangunk and Catskill Mountains in the Hudson Valley, NY. While the songs may appear, at first glance, as basic pop melodies and song structure, that familiarity is used as a pallet to experiment, critique and subtly distort. Since the 2015 debut album ‘2019’ on Ramp Local, Erica Eso has expanded from solo bedroom experimentation to a full-on band, integrating Rhonda Lowry (drums), Nathaniel Morgan (bass/vocals), Lydia Velichkovski (synthesizer), and Angelica Bess (vocals/synth) to add new dimensions to their self-proclaimed “femmed-out microtonal synth pop.” But whose femininity is hollering out amongst this reverb?
Kalbells
Kalbells
Kalbells is the solo work of Kalmia Traver, lead singer of Rubblebucket. The debut collection is 10 cosmic ardent bedroom pop songs written in her native Vermont in the dead of winter and inspired by the experience of divine & dream. Live Kalbells becomes an all-female supergroup with the additional musical forces of Sarah Pedinotti (Liptalk, Okkerville River), Angelica Bess (Body Language) and Nasimiyu Murumba (Baeb Rxxth)
Ryan Power
Ryan Power
It is with much excitement that NNA presents ‘They Sell Doomsday,’ the latest full-length album from songwriter & producer Ryan Power. As evidenced by his previous work with NNA and beyond, Ryan Power has spent most of his life immersed in the many realms of music creation. ‘They Sell Doomsday’ is his seventh full-length album, and with dedication to one’s craft comes refinement and mastery. In many ways, this is Power’s most ambitious recorded statement yet, combining the musical palettes of his previous work with explorations into uncharted territories, plus his quintessential attention to sonic detail and innovative lyricism.

In addition to the uniquely colorful electronic environments developed on his previous two albums, Power more prominently integrates his natural talent and foundations in jazz guitar into the mix – smooth solos and tender acoustic pluckings find their homes comfortably in the beds of lush synthesizer chords and metronomic drum machines. While ’They Sell Doomsday’ provides plenty of the perfect, silky pop hits that Power is known for on tracks like “The Cavalry” and “Lazy About Love,” it also contains some of his most complex, challenging work to date. Ryan is fearless in mining the weirder, more demented corners of pop songwriting as the modern world around us follows suit. Songs like “In a Tizzy” or “Issues” at moments sound like looking into a funhouse mirror through a kaleidoscope, with complex lyrical patterns bisecting a Rubik’s cube of melodic shifts, all while somehow being tethered to reality by a steady pulse. Power’s deep exploration of melody and chord changes are pushed to the brink of chaos, creating musically Cubist puzzles that splinter off in unpredictable directions, only to effortlessly land back where they started. Amidst all the hysteria, however, is a foundation of the gorgeous, jazz-influenced chord progressions that define Power’s sound. The common thread across all of the album’s songs which makes the bizarreness so palatable is his ingenious use of melody, even in the most unexpected places, taking the listener on a chromatic merry-go-round of pop songs.

The lyrical themes of ‘They Sell Doomsday’ touch on the building blocks of our contemporary human existence – the future, the past, romance, purpose, human nature, technological mayhem, cerebral disarray – all sifted through the sardonic mind of Ryan Power, and delivered in lyrically beautiful, often cryptic poetics. While perhaps more conceptual than previous albums, the lyrics on ‘They Sell Doomsday’ also show maturity through self-awareness – of fears, faults, both personally and societally. Power continues to muse on the joys and pains of love, desire, and the inherent duality of their conflicting biological and mystical tendencies. He also touches on the paradoxes found in life’s current social climates, and the struggle to maintain a peaceful isolation from the technological and media frenzies while simultaneously not being categorized as unaware or apathetic. These themes are conducted fluidly through Ryan’s often tongue-in-cheek writing, using abstraction and wordplay in a way that feels less journalistic and more stream-of-consciousness than his previous work.

The highly personal nature of Ryan’s music is reinforced by the fact that the final product is entirely self-built, and his presence in all aspects of it’s creation can not only be heard, but felt as well. This record is the definitive statement of a practice and craft refined by it’s creator through passion and time. It is not an album that someone would make for their first, or even their fourth, full-length; this is the work of a highly developed musician in full control of their vision. The perfect storm of high-quality, inventive writing and production make ‘They Sell Doomsday’ a milestone in Power’s discography.
Venue Information:
Union Pool
484 Union Ave
Brooklyn, NY, 11211
http://www.union-pool.com/